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Last Modified on August 26, 2020

OrganFest 2020 Performances Live On!

We hope you enjoyed the program for the AGO’s inaugural virtual OrganFest, which was held July 20 – 24, 2020. Details can be found at https://agoorganfest2020.org.

AGO OrganFest 2020 may have ended, but the performances live on! We are continuing to accept donations to help AGO members who have suffered financial hardships and cannot afford to renew their membership.

Make a Donation to Support an AGO Member. Please donate here.

The archived broadcast for each day’s program may be accessed at the links on the OrganFest 2020 website below:

Monday, July 20, 2020

Tuesday, July 21, 2020

Wednesday, July 22, 2020

Thursday, July 23, 2020

Friday, July 24, 2020

Rising Star Performances may be accessed on the following page of the OrganFest 2020 website:

Rising Stars

PipeTalks by presenters originally scheduled for the Atlanta 2020 convention are viewable here on the OrganFest 2020 website:

Pipe Talks

Last Modified on August 19, 2021

OrganFest 2020

We hope you enjoyed the program for the AGO’s inaugural virtual OrganFest, which was held July 20 – 24, 2020.

AGO OrganFest 2020 may have ended, but the performances live on! We are continuing to accept donations to help AGO members who have suffered financial hardships and cannot afford to renew their membership.  We encourage you to donate here.

The available archives may be accessed at the links below:

Rising Stars

PipeTalks

Last Modified on September 1, 2020

August 2020 TAO Feature Article

Our Lady of Czenstochowa Church
Coventry, Rhode Island
Kegg Pipe Organ Builders • Hartville, Ohio

By Charles Kegg

 

Each pipe organ we build brings something new to our table. Of course each instrument is different from any other we have built, but the relationship we have with Brian Mattias, director of music and organist at Our Lady of Czenstochowa Church, is also unique. Brian is an organbuilder, service technician, and owner of Potter-Rathbun Organ Company in Cranston, Rhode Island. He is active in the American Institute of Organbuilders, and I have known him for many years. Brian sees and hears new pipe organs from builders from all over the world at our annual conventions and had an unusually broad perspective when weighing the options regarding the builder for the new instrument for his church of birth, where he has been director of music for 32 years. It was indeed an honor to be chosen by someone as knowledgeable as he.

Brian had a long association with the previous 1927 Möller organ. He was quite fond of several of its 13 stops, and we agreed to include them in the new Kegg organ. Brian was intimately familiar with the Möller duplex pitman chests and knew that restoration was not an ideal long-term solution. Additionally, the organ’s tonal limitations clearly made a new organ the best option for his parish. Seven stops were retained in their entirety, while the Swell 16′ Bourdon 1–24 and the Great 8′ Melodia 1–31 were retained with new trebles. The Unda Maris is a vintage Möller Dulciana, identical to the original and provided out of Brian’s company’s stock. The majority of the 22 ranks in the new organ are new, as is the chassis and all the mechanics.

Like most organists I know, Brian really wanted a three-manual instrument. He had seen many examples of our small three-manual organs and suggested the same for himself. This is the smallest example of such a three-manual concept we have built, and with it we have stretched the boundaries of conventional organ design. All who have played the instrument agree that it succeeds as a three-manual organ. The entire instrument is enclosed in two expressive divisions, with the exception of the unenclosed Pedal 16′ Bourdon. The case and false facade pipes have been retained and restored. The third manual is called Choir and derives most of its stops from the Great. There are also several Swell stops that are duplexed onto this manual for convenience, including all the strings as well as the Oboe and the Cornet, which appear as a single stop. Of course this isn’t a proper independent division, but our way of building windchests allows us to create such a manual division at very low cost. The flexibility it provides makes this a most welcome addition.

Pencil drawer

An unusual feature of this organ is the Swell Mixture. In our original proposal, the Swell had no Mixture. Of course the Great has a complete Principal chorus with Mixture IV. Brian had heard several examples of small Kegg organs in small rooms where we have provided a synthetic Mixture, drawn from an Octave and an independent Quint. He requested we do this for the Swell Mixture. It would have been a bit of a gamble, as the Diapason in the Swell was retained from the original Möller and is not scaled as would be a new Kegg organ with a synthetic Mixture. In the end, we used not the Diapason for the unisons of this “trick” Mixture, but the Viole d’Orchestre. The effect is charming and most useful in choral work.

The Great has a new Principal chorus 8–4–IV as the backbone of the organ. The 8′ Concert Flute uses the bass of the existing Melodia for notes 1–31, with 32–73 being a new metal Harmonic Flute. We do this for entirely new stops as well. It gives the instrument a nice mf open wood 8′ flute, which is invaluable in both choral work and literature. The harmonic treble is treated as a true French-style stop where the volume ascends dramatically as you play up the keyboard. This gives this stop a beautiful solo quality, and with tremulant it is stunning. The new Clarinet is large, dark, and woody.

Below the Great chests

The three Swell strings, retained from the previous Möller, are delightful. Here again we retained the bass of the Möller 16′ Bourdon/Gedeckt, for notes 1–24. At middle C, it becomes a new metal Rohrflöte. The foundation flue stops have an additional octave of pipes at the treble to allow the octave coupler full compass on these stops to the top of the keyboard. The new Trumpet adds fire and exciting texture. The original Möller Oboe is an ideal Franck stop, as is the Möller Vox Humana.

“Full American couplers” may seem redundant and perhaps dangerous when an organ is designed this way. And frankly, it is both. Brian and I consumed much scotch during the discussions about this and all the other conventions abandoned on this organ. In the end, all the couplers are present for the clever musician who can use them with taste. I am constantly preaching, mostly to myself, that octave couplers are for special effects and not generally to be used at the end of every toccata and processional hymn.

Great and Choir divisions

In these days of shrinking budgets, electronic 32s, and hybrid pipe/electronic designs, we believe that this all-pipe concept is a more honest, long-lived, and musically satisfying way to build a modest organ.

A couple of fun final thoughts: When the construction agreement was signed, Brian asked what the opus number of his organ would be. When I told him it would be Opus 61, we both smiled, as 61 is a number that appears frequently in organbuilding. (It is the number of keys in a five-octave keyboard.) Brian has taken great pleasure in this curious happenstance! Also, Brian and his daughters, Alana and Kira, spent a week at the Kegg shop during the organ construction. While there, Brian spent time at the CNC lathe turning the wood stop knobs for his own console, while Alana and Kira helped assemble small parts and glue wood ladders together. Thus they appear on the shop crew list below.

Swell

The new organ is to be dedicated by John Schwandt. This dedication has been postponed due to COVID-19 and will be scheduled when the world can return to normal.

Many thanks to our friends in Coventry, including Fr. Jacek Ploch, Brian Mattias, Brian’s helpful daughters, Alana and Kira, and the many parishioners that helped with unloading and their tremendous excitement and support.

Charles Kegg is president and artistic director of Kegg Pipe Organ Builders, which he established in 1985. The Kegg Company is a member of the Associated Pipe Organ Builders of America, and Charles is a past president of the American Institute of Organbuilders.

Website: KeggOrgan.com

Kegg Pipe Organ Builders
Charles Kegg
Phil Brown
Joyce Harper
Mike Carden
Phil Laakso
Bruce Schutrum
Cameron Couch
Brian Mattias
Alana Mattias
Kira Mattias

Last Modified on February 22, 2021

RCO & AGO Members: Consider an Affiliate Membership

We are delighted to offer RCO members an Affiliate Membership in the AGO that provides a digital subscription to twelve issues of The American Organist magazine at the special annual rate of $31.00 USD. You will also have access to our online educational videos and COVID-19 resource pages. From the AGO website menu choose Membership/Join the Guild/RCO Affiliate Membership.

RCO Members click here

AGO members can also become Affiliate members of the Royal College of Organists for ₤25.00 and receive a package of digital benefits including access to iRCO, the College’s outstanding digital content hub that contains hundreds of videos, webinars, audio files, papers, articles and other educational material for the organist and choral director, as well as full access to online education and workshops.

AGO members click here

Last Modified on December 21, 2020

AGO Affirms That Black Lives Matter

The American Guild of Organists recognizes and affirms that Black lives matter. We call upon every chapter and all of our members to speak out against racial bias and take action to make the world a better, safer, and more secure place for the members of the Black community.

Now is the time for us to search our souls for ways to be more caring, to be better brothers and sisters to our Black colleagues, and to demonstrate our unwavering support for their professional advancement and success.

The tragic murder of George Floyd in Minneapolis on May 25, the equally senseless killing of Rayshard Brooks in Atlanta on June 12, and the death and injury of so many others are heartbreaking and inexcusable. We extend our condolences to their families and friends, and we stand in solidarity with the countless thousands of people around the world who have marched to protest systemic racism against the African-American community.

It is our turn to step up to the challenge. We must listen to diverse voices in crafting solutions to our problems. We must reach out to find new partners to help us chart the best path forward. We must engage.


“If you are neutral in situations of injustice, you have chosen the side of the oppressor. If an elephant has its foot on the tail of a mouse, and you say that you are neutral, the mouse will not appreciate your neutrality.”

― Archbishop Desmond Tutu


We are indebted to AGO Past President Eileen Guenther who brought to our attention the accompanying commentary which she recently updated at our request. Dr. Guenther in turn has acknowledged with thanks the theologians Drs. Douglas Strong, Willie Jennings, and Soong-Chan Rah, who developed most of the material in the post.

BLACK LIVES MATTER

It was not ALL lives that were ripped from their homes in Africa;

It was not ALL lives that were separated from families and marched to the West African coast;

It was not ALL lives put into the dank, dark tombs of the slave castles;

It was not ALL lives crammed into European (and, in North America, particularly British) slave ships;

It was not ALL lives laid side by side like cargo in the hulls of the ships;

It was not ALL lives that were force fed because they staged hunger strikes;

It was not ALL lives that were casually thrown overboard to be devoured by the sharks that followed the slave ships;

It was not ALL lives that were brought to the New World as slave labor;

It was not ALL lives stripped naked and put on the auction block;

It was not ALL lives that were bought and sold by “God-fearing Christians”;

It was not ALL lives that were whipped and beaten on the plantations;

It was not ALL lives that were systematically and repeatedly raped by white slave owners;

It was not ALL lives who were hounded by attack dogs, beat with cruel instruments of torture, and intentionally sold away from their families when they dared to try and escape the horrors of slavery;

It was not ALL lives who were daily assaulted in their very identity, denied that they were made in the image of God;

It was not ALL lives who were repeatedly told they were less than human;

It was not ALL lives who were diminished by the 3/5 compromise, the Missouri compromise, the Compromise of 1850, and the Dred Scott decision;

It was not ALL lives whose communities were wiped out because they sought to build a life for themselves after emancipation;

It was not ALL lives that were told “separate but equal” with the “equal” never being equal;
It was not ALL lives but black lives that hung from trees throughout the country during the Jim Crow era;

It was not ALL lives, it was Addie Mae Collins, Cynthia Wesley, Carole Roberson, and Carol Denise McNair, four little black lives who were blown up at Sixteenth Street Baptist Church;

It was not ALL lives that were beset by attack dogs and by fire hoses;

It was not ALL lives but the black lives of Emmitt Till, Medgar Evers, Martin Luther King, Jr., and Malcolm X who were systematically assassinated;

It was not ALL lives that have been victims of police violence, but it was the black life of Michael Brown;

It was not ALL lives, it was the black lives of Eric Garner, Tamir Rice, Freddie Gray, Sandra Bland;

It was not ALL lives, it was the black lives of Rev. Clementa Pinckney, Sharonda Singleton, Tywanza Sanders, Ethel Lance, Susie Jackson, Cynthia Hurd, Myra Thompson, Daniel Simmons, Sr., DePayne Middleton Doctor at Emanuel AME Church in Charleston;

It was not ALL lives, it was the black life of Alton Sterling;

It was not ALL lives, it was the black life of Philando Castile;

It was not ALL lives, it was the black of lives of George Floyd, Breonna Taylor, Ahmaud Arbery, Rayshard Brooks…and so many others;

It is not ALL lives that are targeted with unequal charges for drug offences, thereby resulting in mass incarceration;

It is not ALL lives that the prison industrial complex exploits.

These historical events did not involve the destruction and death of ALL lives, they were black lives that have been systematically targeted and abused by American society. Yes, all lives matter, including those of police officers, but black lives have NOT mattered for 400 years, and that’s why we must vehemently and consistently assert that they matter now–and in the future.

We must always take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented.

― Elie Wiesel

“There comes a time when silence is betrayal.”

“Our lives begin to end the day we become silent about things that matter.”

“In the end, we will remember not the words of our enemies, but the silence of our friends.”

― Rev. Martin Luther King, Jr.

AGO partner organizational statements on how Black lives matter…

RCCO (Royal Canadian College of Organists)

EMA (Early Music America)

NPM (National Association of Pastoral Musicians)

ACDA (American Choral Directors Association)

Last Modified on July 10, 2020

AGO OrganFest 2020

The American Guild of Organists is thrilled to announce the first online OrganFest, which will take place July 20-24. Each evening’s broadcast will premiere a new work which had been commissioned for the 2020 National Convention in Atlanta, accompanied by interviews with the composers.

Featured performers will be Jens Korndörfer, Amanda Mole, Alan Morrison, Thomas Ospital, and Catherine Rodland. Additional recorded performances by recent international organ competition winners will be presented, and short presentations will share exciting news and updates from the AGO.

The daily YouTube premiere (8pm Eastern) and accompanying Festival website will be available at no charge.

OrganFest 2020 promises to be an exciting way to showcase our beloved instrument and the great work of the AGO. Please share this information widely with your music-loving friends.

While we are saddened by the cancellation of many musical events this spring and summer, including our National Convention in Atlanta, we look forward to celebrating the future of organ music together online next month.

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