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Last Modified on November 16, 2017

Northwest Indiana 2015 POE

The Northwest Indiana Chapter of AGO, along with the Valparaiso University Student AGO Chapter held its first Pipe Organ Encounter July 5-10, 2015, on the campus of Valparaiso University, Valparaiso, Indiana.  Valparaiso’s campus, with 8 pipe organs on campus made for a good and accessible site.  During the week there were thirty-two students in attendance, sixteen faculty, six college counselors, five committee members, and ten volunteers.  Several students had never had an organ lesson before the POE, while one student was attending her fourth POE.  The students were from California, Colorado, North Carolina, Tennessee, as well as most Midwestern states.  Guest faculty included Craig Cramer from the University of Notre Dame, Janette Fishell and Jonathan Rudy from Indiana University, Jonathan Moyer from Oberlin University, Christopher Houlihan from Trinity College, Melissa Plamann from Oklahoma City University, Marko Petricic from University of Indianapolis, Marsha Foxgrover from College of DuPage, John Allegar and Cindy Romano from Indianapolis, IN, David Lincoln from Barrington, IL, Karl Bruhn from Batavia, IL,.  Local faculty members from the Northwest Indiana Chapter were Lorraine Brugh, Bill Ickstadt, Stephen Schnurr and Daniel Segner.

The students had one private lesson each morning Monday through Thursday.  At each session they had the opportunity to play a variety of instruments, from tracker to electro-pneumatic and from two to four-manual instruments.  Volunteers from both host churches and the Northwest Indiana AGO chapter helped serve as lesson monitors during the lesson times.

Valpariso POE students warm up their hands
Valpariso POE students warm up their hands

During the week, classes were presented on wide variety of topics including pedal technique, how to practice pieces in various stages, liturgical music leading, hymn playing, practice techniques and how to take the POE home with you. On Tuesday, students had the opportunity to tour the Berghaus Organ Factory. Len Berghaus, retired company president, discussed organ building, pipe voicing, and the different types of organ pipes.  Following a tour of the factory, students were treated to a theater organ demonstration and recital at Beggar’s Pizza. Glenn Taller, the resident organist, gave students opportunity to try out the instrument.

Checking out the sculptures on campus
Checking out the sculptures on campus

The POE featured evening concerts on the Schlicker/Dobson organ in the Chapel of the Resurrection which were also open to the public.  These events helped bring awareness to the general public about both the organ and the Pipe Organ Encounter program.  On Sunday evening Valparaiso University students Seth Carlson, Daniel Segner, Erik Matson, Michensey Hamlin, Hannah Koby, Kaitlyn Matthews, and Megan Gruenwald presented a recital, followed by open console time for the POE students. Monday evening, Janette Fishell, Jonathan Moyer and John Allegar gave a faculty recital.  On Wednesday evening Christopher Houlihan presented a recital, as both guest artist and faculty member. Thursday afternoon Jonathan Rudy presented a recital, and Thursday evening faculty members Cindy Romano, Marko Petricic and Marsha Foxgrover presented a recital.

Valparaiso University students organized open and recreational time for the students on campus. They led sessions on handbells, harpsichords, and taught students basic techniques for them. They organized recreational time in the athletic center, game room time in the Union, and swimming in the University pool. Students often chose to use recreation time for additional practice. Each student also had a lesson with their teacher on the chapel organ, in preparation for Friday’s recital.

Thank you note from a POE student
Thank you note from a POE student

On Friday morning, students had a short warm-up on the chapel organ, then a short coaching session on managing performance anxiety. Following checkout from the dormitory, our POE concluded with the student recital at the Chapel of the Resurrection.  This location was ideal for the recital.  In addition to a visible console for the audience, it allowed each student to play in this large acoustic space on a fine instrument. All thirty-two students elected to play and the performances were greeted with enthusiastic applause from the audience of students, friends, and parents.  Following the recital students departed and the Northwest Indiana AGO held a lunch for the POE Steering Committee, faculty, university counselor, and those who had volunteered their time during the week.

 

Last Modified on September 25, 2023

Take the AGO Service Playing Exam & Boost Your Career

The Service Playing Certificate is recognized by many churches and employers as a guarantee of proficiency at the organ and brings organists many professional benefits. The test is entirely practical, and the required skills come into play at the worship service(s) you play each week.

To help candidates prepare for the test, The AGO Certification Committee has developed the Service Playing Test Study Guide as an educational resource for service playing candidates. The study guide is almost 60 pages in length and comes with a CD containing musical examples.

Ready to increase your expertise and skills at the organ?

Last Modified on August 31, 2015

John Scott 1956 – 2015

The AGO joins St. Thomas Church and the world-wide organ community in mourning the sudden passing of John Scott. John had just completed a successful European tour. He died at Roosevelt Hospital in New York City on August 11.

John served as Organist and Director of Music of Saint Thomas Church and Choir School since 2004. He previously served at Saint Paul’s Cathedral for 26 years. He was born in 1956 and is a graduate of Saint John’s College, Cambridge. In addition to his beloved wife, Lily, he is survived by two children, Emma and Alex, and two sisters, Judith and Helen.

The Solemn Funeral Liturgy will be held on Saturday, September 12 at 11am at Saint Thomas Church Fifth Avenue and will be sung by the Saint Thomas Choir of Men and Boys.

A tribute from New York Times classical music critic James R. Oestreich

Last Modified on February 2, 2016

Houston to Host the AGO 2016 Convention

The 2016 AGO National Convention will take place in Houston, TX and showcase vibrant performances, world-class instruments, enlightening workshops, creative new music and inspiring worship. You will have many opportunities to meet fellow musicians and create dynamic connections. Convention dates are June 19-23, 2016.

Registration begins in October, 2015.

Bookmark the convention website to keep up to date with all the news: Houston Convention 2016.

Last Modified on July 27, 2015

August 2015 TAO Feature Article

Trinity Episcopal Church, Mobile, AL
Goulding & Wood Organ Builders, Indianapolis, IN

By Jason Overall

TAO-August-2015-Cover Feature-consoleMobile, Alabama, saw severe, unusual weather on Christmas Day 2012, culminating in a destructive tornado. This Gulf Coast town, more accustomed to dealing with hurricanes, suddenly faced dealing with the precision damage unique to tornados.

The storm’s path led straight to the front doors of Trinity Episcopal Church, and the winds lifted the entire roof of the historic church building completely off the walls, setting it back at an angle. In the weeks that followed, the congregation struggled to recover from the emotional impact of the damage while also finding solace in the fact that, given the time of the storm, no one was in the building. The church had undergone renovations previously in recent years, a project that included reconfiguring the chancel and moving the choir to the rear gallery, and they were on schedule to retire the debt from this work the following spring. The congregation now faced another extensive construction venture, this one not of their choosing.

Kevin Davis, organist and choirmaster of the church, contacted Goulding & Wood after the New Year to begin exploring the future of the organ. At the time of the previous renovation, they used components from the Wicks pipe organ located in the chancel chamber, reorganizing them into a two-manual instrument. The aim was to enter into an organ replacement campaign once the parish paid off its initial loan. During the days following the storm, the organ was exposed to sustained rain and weather. Further, in the initial cleaning, workers damaged pipes and other elements. The organ was nearly a complete loss. Church Insurance worked diligently and intelligently to identify an accurate, fair, and complete adjustment for the organ. Dave Mistick, the adjuster, spent a significant amount of time on site and on the telephone, asking questions and learning about the various aspects of the organ and their status, in order to reach a reasonable settlement amount.

Goulding & Wood office manager Phil Lehman showing Opus 51, under construction, to a visiting school tour group.
Goulding & Wood office manager Phil Lehman showing Opus 51, under construction, to a visiting school tour group.

Our task as organbuilders became somewhat unusual. We were given the task of designing an organ that, far from a literal replacement, fulfilled the aspirations of the musicians for an instrument designed specifically for the gallery space while working with the allotment designated from Church Insurance as the basic budget. The parish was able to augment this amount with the awareness that they were achieving a preexisting goal, yet the budget constraints were more binding than in most organ design projects.

We ultimately settled on a design that speaks to the strong Anglican choral tradition to which the people of Trinity Church are accustomed. Within the span of a fairly small number of ranks, we attained a broad palette of colors without losing a strong sense of ensemble throughout the organ. Kevin Davis visited several of our instruments, carefully considering voices and combinations and bringing a high level of understanding and creativity to our conversations about tonal design. The result is an organ that distributes the core colors anticipated on any organ in a balanced scheme. Abundant 8′ voices available on both manuals provide a large variety of foundation hues, and combine in a warm richness supportive of vibrant singing. We kept scaling broad throughout the organ, particularly in the diapason ranks, to fill the generous cubic volume of the church. Mixtures are bright yet voiced fairly lightly. They provide sheen and sparkle to the principal chorus, allowing the power to derive from the 81 and 16′ line. This pyramid approach is repeated in the Swell chorus reeds. While we frequently feature robust and powerful Clarion stops that break back to 8′ pitch reed pipes rather than transition to flues, the Trinity Church Swell Clarion is smaller scaled, with tapered shallot openings, and continues at 4′ pitch to the top. The crowning solo reed, the Tromba, resides between a dark English Tuba and a fiery Festival Trumpet. It retains brilliance and life in the sustained pitch, yet it is full-bodied and smooth enough to use in chords. We were assisted in all these decisions by the excellent craftsmen at A.R. Schopp’s Sons, who built all new pipework for the organ. Brandon Woods, our shop voicer, oversaw all details of the tonal design, making final decisions on the construction details and voicing all ranks.

Cabinetmaker Rob Heighway constructing columns for the facade.
Cabinetmaker Rob Heighway constructing columns for the facade

These minute adjustments to tonal design, carried out in scaling, metal composition, shallot design, and other details, are important not in displaying our artistry and cleverness but in the way the organ directly conforms to the musical worship tradition of Trinity Church. Our aim in designing the organ was to transform the sorrow and loss following the tornado’s devastation into a renewed spirit of celebration and praise. Seeing this revitalization come to the congregation has been an enormous satisfaction to our team. Throughout the lengthy process of working with the insurance company and the subsequent design and construction of the organ, the Rev. Bailey Norman, rector, and Robert Howard, senior warden, were immensely helpful. Fr. Norman maintained a steely business sense with the parish’s best interest at heart, yet he was unwaveringly tempered with a strong sense of fairness. Bob Howard oversaw the many details of the renovation, coordinating the sometimes conflicting needs of the contractors with delicacy. We owe both of them a great debt of gratitude. For our part, Mark Goulding and Kurt Ryll, our design engineer, worked closely with the church to reach a visual and mechanical layout that enhances the architecture and maximizes the space. The efficient arrangement allows for ample access to all areas of the organ without wasting any valuable gallery floor. The visual presence participates actively in the church’s neo-Gothic design vocabulary, contributing to the decorative interest in the church.

Within days of completing the organ, the room was filled with joyous singing as Trinity Church hosted the annual diocesan convention. Delegates from throughout the area came together to worship, with the organ and choir leading hearts and minds in prayer and song. It is our hope that the organ will continue to play this important role in the weekly worship of Trinity Episcopal Church for many generations to come.

Jason Overall is president of Goulding & Wood Pipe Organ Builders. He holds music degrees from Furman University in Greenville, SC, and Florida State University, where he studied organ with Michael Corzine and completed courses in organ design and instrument history. He has served in Methodist, Lutheran, Presbyterian, and Episcopal congregations. He is a member of the AGO and the Association of Anglican Musicians.

From the musician

When I came to Trinity Episcopal Church in 2009, the planning stages of a liturgical remodel were already under­ way. This included moving the choir and organ from the chancel, which was small and very crowded, to an extended gallery. The final plan, completed in 2011, included everything but a new organ, which was to be completed as a second phase of the renovation. We would use 30 ranks of the 1971 Wicks as a temporary instrument. The tornado on Christmas Day 2012 challenged the original timeline for a new organ. If we rebuilt the former instrument with virtually all new chests and console, we would still have the “temporary” organ sound. It was determined that a better use of resources would include a new instrument that would enhance our Anglican music tradition. I began contacting organ­ builders in summer 2013, and Goulding & Wood quickly came to the forefront of the leadership of the church. They have graciously assisted in all phases of the re-­building of the church and in designing a versatile two­ manual organ that supports the choir and choristers, leads the congregation, and plays literature equally well. The artistry, both of the woodworking and voicing, is superb. Goulding & Wood has created an instrument that will inspire Trinity’s music program and concerts for years to come.

I have enjoyed working with the artisans of Goulding & Wood and look forward to our continued relationship in the maintenance of the organ. The lasting friendships that have resulted from this project are an added bonus.

Kevin Davis, Organist-Choirmaster

From the rector

While I have very little experience in organ renovation or replacement projects, I can safely say that Trinity was not the typical client for an organbuilder. When our sanctuary was severely damaged by the tornado, it became clear to us that the best course of action was to replace the instrument rather than repair the existing one. As large and important a project as it was, the new organ was going to be just one piece in the larger picture of a multimillion-dollar reconstruction project. On top of that, Trinity was called to host our diocese’s annual convention in February 2015. So, we were working against a firm deadline as well. The greatest challenge related to the organ was to find a builder that could work within our construction timeline and deal with our financial situation while simultaneously designing an instrument fitting of an incomplete space.

We could not have found a better match than Goulding & Wood. From the moment we had our first meeting with president Jason Overall, we realized we were dealing with a company that valued the worship experience and overall satisfaction of their clients and not just, “How is the organ going to fit?” Goulding & Wood communicated regularly with us and stayed in touch with our various contractors to make sure they could accomplish their planning within the context of the larger project. Our property team kept waiting for Goulding & Wood to drop the ball or delay the project, an all-too-common experience in dealing with construction. But they stayed true to their commitments and delivered a tremendous instrument earlier than expected.

After going through a five-year period, beginning in 2010, in which Trinity had just 18 months of pipe organ music (and a temporary organ, at that), we are extremely appreciative of the sound and craftsmanship of this beautiful instrument. It fills our sanctuary perfectly, rattling the walls at its highest volume (while not rattling our ears) but also articulating its subtlest of sounds very clearly. From our initial meetings to the efficient yet deliberate installation and tuning of the organ, Goulding & Wood has impressed us. We feel confident that this instrument will give us many new opportunities to glorify God and bolster our solid music ministry. And we are excited to know that professionals with the skill and attentiveness of Goulding & Wood will be maintaining the organ for us for years to come.

The Rev. Bailey Norman

TAO August 2015 Feature Article Stop List

Goulding & Wood Pipe Organ Builders
Steven Baker · Bob Duffy · Mark Goulding · Chris Gray · Rob Heighway · Jerin Kelly · Phil Lehman · Jason Overall · Mike Powell · Kurt Ryll · David Sims · Mike Vores · Brandon Woods

Last Modified on August 12, 2015

Twenty three young musicians attend Pipe Organ Encounter in Wichita, KS

Twenty three young musicians, ages 13 through 17, from seven states attended a Pipe Organ Encounter in Wichita, Kansas, on June 14-19, 2015. The event was centered at Wichita State University with housing in the new Shocker Hall residence facility with classes, performances and workshops at various locations around Wichita State. Each morning the campers traveled to area churches for their daily lessons and practice times on a variety of organs throughout the city. The afternoons were filled with faculty recitals and workshops, more practice time, tours and recreation. Each evening featured a performance by faculty members, including a hymn festival on Wednesday.

Faculty members included Tate Addis, recent Yale University graduate; Dr. Michael Bauer and Dr. James Higdon, the University of Kansas in Lawrence; Lynne Davis, Wichita State University, Dr. Ann Marie Rigler, William Jewel College in Liberty, MO; Michael Emmerich, Co-Cathedral of the Sacred Heart, Houston TX; Laura Rau ,St. Michael the Archangel Catholic Parish in Leawood, KS,; Dr. Melody Turnquist-Steed, Bethany College, Lindsborg, KS; Donna Hetrick, Bethel College, Newton, KS , and Grace Presbyterian Church, Wichita; Shirley Wiebe, Church of the Magdelen, Wichita.

Highlights of the week included:

  • An introduction to the Marcussen organ at Wiedemann Hall, WSU
  • Opening recital by Lynne Davis on the Marcussen
  • Noontime faculty recitals by Michael Bauer, Michael Emmerich and Laura Rau
  • An evening faculty recital by Tate Addis, Ann Marie Rigler and James Higdon
  • An evening concert the Little River Studio to hear Brett Valliant play the Wurlitzer theater organ
  • A hymn festival led by Melody Steed and Laura Rau
  • Open console time after each concert so the students could try the different organ
  • Presentations on service music and classical music by Regional Councillor Marilyn Schempp
  • Workshops on improvisation, practice, organ building, hymn playing, theory
  • A panel discussion about career choices in music
  • Field trips to Senseney Music and the Wichita Sedgwick County Historical Society
  • Recreation at the YMCA
  • Pipes on the Plains organ tour to: Dobson Organ – Bethel College – Donna Hetrick, Recital;   Andover Organ – Hesston Mennonite Church; Martin Ott Organ – Eden Mennonite Church; Jaeckel Organ – Bethany Lutheran; Reuter Organ – Bethany College
  • Evening meal with AGO Chapter members, browse music from scholarship library and choose five free items
  • Nighttime view of the Keeper of the Plains
  • Final student recital at Wiedemann Hall on the Mighty Marcussen! Everyone played well!

Dates and locations of 2016 Pipe Organ Encounters

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